I wanted to share this image with you. It was taken by Katie Bulmer, a student on the Fotofilia ten week “Advanced Photography” course. It was taken for the first of two assignments on the course in which the students were asked to reproduce a pre-existing image, either faithfully to the original or as a completely different version – as long as there was an obvious similarity between the two. I think Katie pulled that off, don’t you?
In case you haven’t worked it out already, the photograph is based on “Man Ray’s “El Violin De Ingres” from 1924. Katie’s model was her mom, photographed in the studio. The finishing touches to the post-production were done in class. Here’s the original for comparison…
Man Ray, get your coat.
A few final images from my shoot with the lovely Kate Anne Cooper at Fotofilia this week. After the various other sets, where better to end up than the cafe? Our cafe. Or rather the excellent Urban Coffee Company cafe which is also situated within the BOM (Birmingham Open Media) building. Sadly, the staff had long since gone home but at least we were able to use this brilliant location for a few final shots before we were finally beaten by the clock.
More images from my shoot with the lovely Kate Anne Cooper at Fotofilia this week. So far we’ve had beauty headshots, grungey latex and lorry wheels. Now we’re getting back to basics – pure, clean, high-key with Kate in a corset…
More images from my shoot with the lovely Kate Anne Cooper at Fotofilia this week. This little batch feature our much-used (by me anyway) aluminium-effect wall and a lorry wheel that Chrissy (of DollHouse fame, who also uses my Fotofilia studio and has just about the world’s largest collection of props) happens to have left lying around.
Amazing what you can achieve in just a couple of hours. Derby-based model Kate Anne Cooper modelled for the Fotofilia “Special Studio Evening” this week and during the two and a half hours she was there, and despite having to “share” Kate with my little group, we were still able to get through several sets, outfits and locations.
First up are these headshots, taken with my Nikon DSLR and 50mm f1.4 (set at about f2.2) and using only the continuous modelling lights from two Bowens flash heads
Our successful recent workshop “The Male Portrait” included the opportunity to photograph two charismatic male subjects. One, Tom, is a professional model and no stranger to Fotofilia shoots…
Our second subject, Nick, was rather less used to be in front of the camera but proved to be an excellent and very photogenic model. Nick is, apart from many other things, the lead singer and primary creative drive behind the band Telsen (who I happen to play bass guitar with)…
With another term of our 10 week “Advanced Photography” course due to start at Fotofilia in the next couple of weeks, I thought I’d share a few assignment submissions by last term’s
victims students. The phone-taken images seen here show some of the group’s responses to their first assignment of the course where they were asked to produce a copy, update, or even humorous pastiche of a pre-existing classic photograph or painting. Firstly, Nicky made this excellent version of Lewis Morley’s 1963 portrait of Christine Keeler using a bearded male friend as her subject.
And finally, Rob practiced his photoshop skills to create this great copy of the iconic Velvet Underground album cover by Warhol.
I was very impressed yet again by our group. I hope to share their submissions from their second (main) assignment soon.